Chinese Film Festivals: Sites of Translation - Chinese Film Festivals: Sites of Translation -

Translating the Film Festival Shanghai and Hong Kong: A Tale of Two Festivals Translating the Film Festival into Chinese Cultural Contexts HKIFF: Cinephilia and Local Identity SIFF: Municipal Reputation Notes “Mature at Birth”: The Beijing International Film Festival Between the National Film Industry and the Global Film Festival Circuit A Film Festival with Chinese Characteristics: Categorizing the Beijing International Film Festival’s Main Features Strategic Reputation Management: The Beijing International Film Festival as a Reputational Festival Conclusion Notes Culture Translation Between “Local” and “International”: The Golden Harvest Award in Taiwan Literature Review and the Research Framework History, Structures and Stakeholders Historical Background Structures and Stakeholders An Identity Crisis?Conclusion Notes Queer as Catachresis: The Beijing Queer Film Festival in Cultural Translation Catachresis and/as Cultural Translation A Brief History of BJQFF Tongzhi, Tongxinglian, Ku’er: Translating Queer at the Festival Translating the Festival Form: Socialist Pedagogy and the Cultural Exhibition Between Independent Cinema and Global Neoliberal Governance “Guerilla Warfare”: Between the Countryside and the City The Politicization of Ku’er Conclusion Notes The Beijing Independent Film Festival: Translating the Non-Profit Model into China Chinese Independent Film Festivals and the Problem of Translation The Foundation and Transformation of BIFF From Public to Private Space The Politicization of BIFF: From Elitism to Public Resistance BIFF as Third Space: Hybridity, Transgression, Translation Conclusion Notes “China’s Sundance” and Corporate Culture: Creating Space for Young Talent at the Tudou Video Festival Tudou-Sundance Connections Smells Like Independent Spirit? The 2014 TVF Conclusion Notes What Can Small Festivals Do? Toward Film Festivals as Testimony to Expanded Civic Engagement in Post-Handover Hong Kong Dissent and Civic Culture in the Early PostHandover Years Communitarian Participation and the Hong Kong Social Movement Film Festival Sinophone Civic Life and the Chinese Documentary Festival Conclusion: Toward Festival Practice as Testimony to Expanded Civic Engagement Notes The China Independent Film Festival and Chinese Independent Film Festivals: Self-Legitimization and Institutionalization Are Chinese Independent Film Festivals Actually Festivals?CIFF: A Decade of Self-legitimization and Institutionalization CIFF: A Battlefield of Anti-elitism and the Birthplace of Independent Film Criticism Conclusion Notes Sole Traders, Cultural Brokers, and Chinese- Language Film Festivals in the United Kingdom: The London Taiwan Cinefest and the Chinese Visual Festival Introduction: Locating Chinese-Language Cinema in the United Kingdom Sole Traders and/as Cultural Brokers Institutions, Individuals, and the Question of Translation The London Taiwan Cinefest From Art House to Genre Film Translation as Commercial Practice: Making Sense of Taiwan Cinema The Chinese Visual Festival Between the Independent and the Mainstream Translation as Moral Pedagogy: The Cultural Politics of China Conclusion Notes Translating Culture Yingying, Zhenzhen, and Fenfen? China at the Festivals Evolving Translation Festivals: Scenarios and Stakeholder Configurations The Cultural Diplomacy Festival The Corrective Festival The Business Card Exchange Festival Conclusion Notes Programming China at the Hong Kong International Film Festival and the Shanghai International Film Festival Hong Kong International Film Festival (HKIFF)The Foundational Period Into a Pan-Chinese Cinema Shanghai International Film Festival (SIFF)Programming China at SIFF Xuanpian Versus Programming Conclusion Notes Clara Law’s Red Earth: The Hong Kong International Film Festival and the Cultural Politics of the Sponsored Short Dissecting HKIFF’s Shorts: Clara Law’s Red Earth The Importance of Citations Notes Rural Films in an Urban Festival: Community Media and Cultural Translation at the Yunnan Multi Culture Visual Festival A History of Participatory Visual Education at Yunfest The Cross-Cultural Potential of PVE Media from the Margins Conclusion: Doubled Translations Notes Translating the Margins: New Asian Cinema, Independent Cinema, and Minor Transnationalism at the Hong Kong Asian Film Festival Hong Kong: A Tale of Two Globalizations The Hong Kong Asian Film Festival: From the Margins to the Market From Minor to Major Transnationalism An Imagined Community of Indies Conclusion Notes Translating Chinese Film Festivals: Three Cases in New York The New York Asian Film Festival AAIFF: Asian American International Film Festival in New York NYCFF: Chinese Projections Abroad Conclusion Notes