Art and the Church: A Fractious Embrace: Ecclesiastical Encounters with Contemporary Art
PorchA Fractious EmbraceRenewed Ecclesiastical Encounters with ArtConceptual Models: Categories as Points of OrientationEncounter versus RecognitionPlotting a RouteNotesNaveEventInstallation ArtDurationNoisy EnvironmentsRhythms of DurationPorosityImmersive FieldsSpatial Practices: ZonesNotesSanctuarySacred Space and TimeReligious and Non-religiousSacred and Profane PolarityNew ReligionModalities of the SacredThe Dialectic of the SacredNon-believing ArtistsFrom Richier to Richter: Scandal, Trauma and ControversyThe Manifold Strategies of IconoclasmNotesCrossingPhantom AfricaA Quotidian SacredThe Excluded Left Hand in ArtRevelation and TraditionPhilosophical TheologyAutoimmunity and the UnscathedZizek’s ActNotesChapelAncient Art and RitualWork for the Public GoodRitual, Art and LifePye, Caro, Nasfeter: Art as LiturgyThe Para-liturgical Art of Doris SalcedoNotesTranseptMorning Beams for the City of LondonObstacles and ChallengesExpanded Communities for ArtArtist, Context, Audience, ArtNotesCryptThe Constitution of SubjectivitiesThe Badiouian EventApproving the Art EventBecoming-AnimalThe Situated VoidThe Truth of ArtMiracles Do Happen!Ecclesiastical MiraclesNotesApseThe Normative and the ExceptionalCathedral Arts PoliciesEcclesiastical FrameworksA Matter of TrustThe Possibilities of the TemporaryCathedrals and the Visual ArtsNotesBibliography
