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New Approaches to Islam in Film


Reframing the study of Muslims and Islam in filmI New sourcesRace, torture porn, and the menacing Black Muslimness of Five FingersMuhammad as a synthesis of meditation and action: a 1932 screenplay by Nikos KazantzakisBeing a (Muslim) worker in the Egyptian film industryII New communitiesPuerto Rican Muslims in post-9/11 documentaries: authenticity, cultural identity, and communal belongingPerforming identities: intersections of Muslim sexuality, gender, and race in Touch of Pink and Shades of RayIII New perspectivesMystics in the movies: Sufism in global cinemaDepicting Prophet Muhammad (PBUH) without showing himIV New directions“I Can Take Your Eyes”: re-envisioning religion and gender in A Girl Walks Home Alone at NightNegotiating borders, gender, and identity: a transnational feminist study of an Iranian documentaryFilm as a scene of “Rupture”: religion, gender, and rights in Muslim communitiesV New understandings of conflictIslam, gender, and extremist violence in contemporary Egyptian cinemaCitizenship, ethnicity, and religion: Muslim immigrants in German cinematic artsTogether in the midst of war: Muslim and Christian coexistence in Lebanese cinema
 
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