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Access and Control in Digital Humanities


I Access, control, and DH in academiaFrom stone to screen: the built-in obsolescence of digitizationDigital humanities and a new research culture: between promoting and practicing open research dataII Networks of access and controlComputational ontologies for accessing, controlling, and disseminating knowledge in the cultural heritage sector: a case studyDigital approaches to the “Big Ancient Mediterranean”Questioning authority: creation, use, and distribution of linked data in digital humanitiesIII Access, control, and immersive mediaVisuality as historical experience: immersive multi-directional narrative in the MIT Visualizing Cultures ProjectArchitectonic connections: virtual reconstruction to disseminate understanding of South and Southeast Asian templesPostscript on the Ctrl+Alt society: protocols for locative mediaIV Access, control, and Indigenous knowledgeCross-cultural collaborations in the digital world: a case study from the Great Lakes Research Alliance’s knowledge sharing databaseIssues and intersections of Indigenous knowledge protection and copyright for digital humanitiesV Access, control, and the lawThe open-access spectrum: redefining the access discourse for the electronic editions of literary worksOwnership, copyright, and the ethics of the unpublishedDigital humanities research under United States and European copyright laws: evolving frameworksTrust is good, control is better? The GDPR and control over personal data in digital humanities research
 
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