Immersive Journalism as Storytelling: Ethics, Production, and Design - Immersive Journalism as Storytelling: Ethics, Production, and Design -

I Storytelling Exploring the immersive journalism landscape Evolving genres Start with witness test From simple to complicated work processes "Unlike traditional storytelling"Conclusions: different epistemologies for different genres References Case Euronews: A low-cost approach to immersive storytelling The immersive trend To experiment or not to experiment Euronews’ immersive journalism practices Video content Topics Verbal contextualizations Narrative structures Editorial choices Concluding remarks References Global perspectives of immersive journalism The global context for immersive journalism Immersive journalism for a global perspective The influence of mobile journalism Concluding thoughts References II Ethics The impact of emotions in immersive journalism The question of emotional manipulation Virtual reality and health effects: positive and negative Ethical implications: a need for updates and fine-tuning Protecting children: What is the right age?Conclusions References Project Syria: Accuracy in immersive journalism Seek the truth and report it Minimize harm by not risking safety Act independently through newsgames Be accountable and transparent in the immersive world Concluding remarks References Promises and perils in immersive journalism Anticipatory ethics and RRI IJ as an emerging technology with promises and perils Empathetic global understanding/manipulation Transparency/opacity Conclusion Notes References It’s not just about empathy: Going beyond the empathy machine in immersive journalism Why are we here?Three challenges for empathy in journalism Focus on place Conclusion Interview Note Immersive experiences and organizations References III Production and design Place-based journalism, aesthetics, and branding VR documentary as place-based journalism Branching narrative and the Google brand: “beyond the map”Re-branding Sports Illustrated’s longform legacy for the digital age: Capturing Everest Emerging editorial norms and the 2017 VR edition of Bear 71 Conclusion References Case study: Creating a business value in immersive journalism Value creation viewpoints to digitalization Case of NYTVR Implications References The hierarchy of needs for user experiences in virtual reality Background Immersive cultural experiences User experience Hugo Simberg VR: a virtual experience of cultural journalism User study Results Post-test questionnaire Think-aloud comments and post-test interview results Discussion and conclusions References Immersive gaming as journalism The magic circle of immersion Expanding the concept of immersion Sensory immersion and VR technology A gameful approach to immersive journalism Conclusion References Augmented reality as news The technology: smartphones, smart glasses, and authoring tools The evolution of AR in journalism Future inspiration: other kinds of AR stories AR storytelling types for journalism Conclusion: still waiting for the AR breakthrough References IV Education Teaching immersive journalism Mapping immersive journalism educators The challenge of emergent technologies in teaching Multiple teacher roles Multidisciplinary approach Selecting the right technologies to work with Future prospects Conclusions References Immersive journalism as witnessing Method: a pedagogical design experiment Four VR journalism stories Theories that explain witnessing Analysis: witnessing in various shapes and strengths Learning like a child Imagine being dead and cryonically frozen Overdosing on heroin Suffering from schizophrenia Discussion Conclusion Note References Forecasting future trajectories for immersive journalism Future trajectories Researching audiences will open new avenues for development Authenticity and transparency remain core values of immersive journalism Ethical reviews as tools, increased awareness of emotional data Global co-learning on immersive journalism is growing Ways of storytelling are changing, eventually with the 5G The promises of immersive journalism are still pertinent References