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Actors and Audiences: Conversations in the Electric Air

Why conversations?Why electric air?What is an audience member?Writings about actors and audiences The interviews The performances Book structure Notes I Electric air The electric air of theatre Descriptors of the electric air Atmosphere Liveness Electricity Undercurrents of the electric air Theatrical undercurrents Suspension of disbelief The encounter Ephemerality Narrative Psychological undercurrents Transference Projection Identification Empathy Sociological undercurrents Presence Celebrity magnetism Community Notes The view from the stage Who is the actor?Backstage Onstage Presence Double consciousness Stage fright Whom do they see?Encounter Audience presence Conversations No electric air The curtain call Notes The view from the audience Who is the audience member?In the house Proximity Electricity and atmosphere Whom do they see?The encounter Double consciousness Presence Charisma Drawing power Space-filling ekstases “Being”: authenticity and comfort The curtain call Notes II Conversations Heisenberg’s psychological conversations The production and the project Psychological undercurrents Transference Identification Projection Empathy The suspension of disbelief Consent Shutting out the world Filling in the gaps Double consciousness Heisenberg workshops: extending the conversation Notes Encounters with The Encounter The production and the project Double consciousness Narrative Encounter Intimate distance Community Presence Questions raised Extending the conversation: theatre of the mind Notes Hunger. Peer Gynt: a thirst for conversations The production and the project Stimmung Tuning to the space Tuning to the artwork Tuning to each other Tuning to the actors Tuning to the audience The walk-out Audience and the walk-out Actors and the walk-out Atonality and tuned space Extending the conversation: reaching out from the border Notes The electric air The conversations Relationship Relational audience research Notes Appendix: Actor biographies

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