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Gatekeepers : the emergence of world literature and the 1960s

Scope of the Study Theory How Do Damrosch, Bourdieu, and Collins Fit Together?Travelers and Translators Interaction Rituals The 1960s The Authors Gabriel Garcia Marquez. GATEKEEPERS AND PRISE DE POSITION Understanding Literary Careers in Bohemian Eras The First Reader The Salon or Group Meeting the Dominant Class Film “Exile” in Paris— La Boheme Passage through Cuba Carlos Fuentes—the Older Writer The Interview Critical Rupture Agent Extraordinaire-Carmen Balcells The Revolution in Literary Rights Governments as Gatekeepers Publishers: The Rise of International Re-sales The Prize System Media Conglomerates The Right Translator Equivalence Translation The Cult of Rabassa Political or Apolitical World Literature?Reviewers Coda: Rigoberta Menchu Tum Charles Bukowski and the Entrepreneurs of World Literature The Gay Friend The Catalyst in the Field Open City: The Role of Underground Newspapers The Adult Publishers John Martin: Patron and Small Press Entrepreneur Carl Weissner, Literary Entrepreneur and Translator The New Gatekeepers Translating Bukowski Why Germany?The Outsider Audience Sex as Export The Bukowski Flood The World Lit Reading Tour Bukowski in France Bukowski as Punk Wikipedia as a Gatekeeper: Germany Wikipedia as a Gatekeeper: France Coda: Diane di Prima Paul Auster bootstrapping” and foreign “exile'Paul Auster: Refracted Reputation and Bootstrapping Columbia University First Readers Trying Out Exile A Student Newspaper Salon Graduate Studies The Mimeo Period: “Letters from the City”Translation and French Judaism Exile II Finding a Patron, Becoming a Publisher Odd Jobs in Paris and Translating Provence New York Again, New Patrons The Grant Public Intellectual Capitalizing on France Editing an Anthology Small Press Gatekeeper: Douglas Messerli Consolidating Capital Refracted Reputation Hubert Nyssen and Actes Sud Auster in French Translation France Brings Out the Best in Foreigners The Celebrity Phase New York Publishers Becoming a Celebrity Academic Endorsement The Modern World Literature Author Coda: Lydia Davis Haruki Murakami. THE PRIZES, PROCESS, AND PRODUCTION OF WORLD LITERATURE The Literary Prize System A Small Circle of Friends Components of a Style Figuring the Gatekeeper Apprenticing as a Translator Visiting the United States Re-creation through Translation The 1960s, the New Cohort, and Norwegian Wood Judging the Student Protests The Cultural Work of Norwegian Wood Murakami’s Translators: Birnbaum A Sample Translation Murakami’s Translators: Jay Rubin and Philip Gabriel Murakami’s Reception Japanese Publishers Murakami and Translation in the New Market Coda: Banana Yoshimoto Writers Film Gatekeepers The Social Field of Gatekeeping The Professionalization of Translation and Publicity Publishing Today The Divergence Counter-argument Finding World Literature to Publish Reviewers of the Dominant Fraction: The New York Times and the New Yorker The Most Feared Reviewer in English: Michiko Kakutani The Brahmin Orientalist of the New Yorker: John Updike History

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