Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Translated by Daniel Heller- Roazen. Palo Alto, CA: Stanford University Press, 1998.
Alberti, Mike. “Detroit Consigned to an Unnecessarily Bleak Future?" Remapping Detroit, December 21, 2011, 1-9.
-. “Detroit’s Woes Can Be Eased, but Region’s Officials Avert Their Eyes." Remapping
Detroit, January 25, 2012, 1-9.
-. “Segregation and Racial Politics Long the Death Knell for Regionalism in Detroit
Area." Remapping Debate, January 11, 2012, 1-5.
Apel, Dora. Imagery of Lynching: Black Men, White Women, and the Mob. New Brunswick, NJ: Rutgers University Press, 2004.
Ashby, Brian, Ben Kolak, Courtney Prokopas, and Kevin Whiteacre. “Ruin Porn, Documentary, and Metal Theft: An Interview with the Co-directors of Scrappers.” Crime, Media, Culture 8, no. 355 (July 18, 2012). Doi:i0.ii77/i74i6590i2447i27.
Austin, Dan, and Sean Doerr. Lost Detroit: Stories behind the Motor City' Majestic Ruins. Charleston, SC: History Press, 20i0.
Bak, Richard. Detroitland: A Collection of Movers, Shakers, Lost Souls, and History Makers from Detroit’s Past. Detroit: Wayne State University Press, 20ii.
Bamford, James. “They Know Much More Than You Think." New York Review of Books, August i5, 20i3, 4-8.
Barr, Nancy, John Gallagher, and Carlo McCormick. Detroit Revealed: Photographs, 20002010. Detroit: Detroit Institute of Arts, 20ii.
Bendle, Mervyn F. “The Apocalyptic Imagination and Popular Culture." Journal of Religion and Popular Culture ii, no. i (2005).
Bennett, Jill. Practical Aesthetics: Events, Affects and Art after 9/11. London: I. B. Tauris,
Berman, Russell. “Democratic Destruction: Ruins and Emancipation in the American Tradition." In Ruins of Modernity, edited by Julia Hell and Andreas Schonle, Ю4-И7. Durham, NC: Duke University Press, 20i0.
Bhatt, Ritu. “The Significance of the Aesthetic in Postmodern Architectural Theory.” Journal of Architectural Education 53, no. 4 (May 2000): 229-238.
Binelli, Mark. Detroit City Is the Place to Be: The Aftermath of an American Metropolis. New York: Metropolitan Books, 2012.
Bishop, Kyle William. American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture. Jefferson, NC: McFarland, 2010.
Borshuk, Michael. “True Tales and 8 Mile Memoirs: Exploring the Imaginary City of Detroit.” Studies in the Literary Imagination 41, no. 1 (Spring 2008): 107-134.
Boyle, Kevin. “The Ruins of Detroit: Exploring the Urban Crisis in the Motor City.” Michigan Historical Review 27, no. 3 (2001): 109-127.
-. The UAWand the Heyday of American Liberalism, 1945-1968. Ithaca, NY: Cornell
University Press, 1998.
Boym, Svetlana. The Future ofNostalgia. New York: Basic Books, 2001.
Burke, Edmund. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. 1757. Edited by Adam Phillips. New York: Oxford University Press, 1990.
Canavan, Gerry. “We Are the Walking Dead”: Race, Time, and Survival in Zombie Narrative.” Extrapolation 51, no. 3 (2010): 431-453.
Capeci, Dominic J. Jr., and Martha Wilkerson. Layered Violence: The Detroit Rioters of1943. Jackson: University Press of Mississippi, 1991.
Cazdyn, Eric. The Already Dead: The New Time of Politics, Culture, and Illness. Durham, NC: Duke University Press, 2012.
Chafets, Ze’ev. Devil’s Night and Other True Tales of Detroit. New York: Random House, 09°.
Chanan, Michael. “Detroit: Ruin of a City—A Reception Diary.” Journal of Media Practice 6, no. 3 (2005): 135-144.
Clemens, Paul. Made in Detroit: A South of 8Mile Memoir. New York: Doubleday, 2005.
-. Punching Out: One Year in a Closing Auto Plant. New York: Doubleday, 2011.
Comaroff, Jean, and John L. Comaroff. “Alien-Nation: Zombies, Immigrants, and Millennial Capitalism.” South Atlantic Quarterly 101, no. 4 (2002): 779-805.
Cowie, Jefferson, and Joseph Heathcott, eds. Beyond the Ruins: The Meanings of Deindustrialization. Ithaca, NY: Cornell University Press, 2003.
Daskalakis, Georgia, Charles Waldheim, and Jason Young, eds. Stalking Detroit. Barcelona: Actar, 2001.
Day, Aidan. Romanticism. Hoboken, NJ: Routledge, 2011.
Deane, Darren R. “Louis Kahn’s ‘Fairy Tales’ of American Institutions.” In Nationalism and Architecture, edited by Raymond Quek and Darren Deane with Sarah Butler, 147-162. Burlington, VT: Ashgate, 2012.
Dillon, Brian, ed. “Introduction: A Short History of Decay.” In Ruins. Documents of Contemporary Art, edited by Brian Dillon, 10-19. London: Whitechapel Gallery; Cambridge, MA: MIT Press, 2011.
Drooker, Arthur. American Ruins. Foreword by Douglas Brinkley. Essay by Christopher Woodward. New York: Merrell, 2009.
Dubin, Steven C. “Battle Royal: the Final Mission of the Enola Gay.” In Displays of Power: Memory and Amnesia in the American Museum, 186 -226. New York: New York University Press, 1999.
Duggan, Lisa. The Twilight of Equality? Neoliberalism, Cultural Politics, and the Attack on Democracy. Boston: Beacon Press, 2004.
Edensor, Tim. “The Debris of Industrial Ruins and the Disordering of the Material World.” Journal of Material Culture 10 (2005): 311-332.
-. Industrial Ruins: Space, Aesthetics, and Materiality. New York: Berg, 2005.
Farley, Reynolds, Sheldon Danziger, and Harry J. Holzer. Detroit Divided. New York: Russell Sage Foundation, 2000.
Fine, Sidney. Violence in the Model City: The Cavanaugh Administration, Race Relations, and the Detroit Riot of 1967. East Lansing: Michigan State University Press, 2007.
Fisher, Mark. Capitalist Realism: Is There No Alternative? Ropley, East Hampshire, U.K.: Zero Books, 2009.
Fishman, Robert. “On Big Beaver Road: Detroit and the Diversity of American Metropolitan Landscapes.” Places: Forum of Designfor the Public Realm 19, no. 1 (April 2007):
Georgakas, Dan, “Detroit: An Urban Zombie: Motown Images in Three New Documentaries.” Cineaste 37, no. 4 (2012): 16-21.
Grandin, Greg. “Empire’s Ruins: Detroit to the Amazon.” In Imperial Debris: On Ruins and Ruination, edited by Ann Laura Stoler, 115-128. Durham, NC: Duke University Press,
Harvey, David. The Enigma of Capital and the Crisis of Capitalism. Oxford: Oxford University Press, 2011.
Hell, Julia. “Endings and New Beginnings: Ruins and Heritage.” Germanic Review 86 (2011): 225 -231.
-. “Imperial Ruin Gazers, or Why Did Scipio Weep ?” In Ruins of Modernity, edited by
Julia Hell and Andreas Schonle, 169-192. Durham, NC: Duke University Press, 2010.
Herron, Jerry. After Culture: Detroit and the Humiliation of History. Detroit: Wayne State University Press, 1993.
-. “The Forgetting Machine: Notes toward a History of Detroit.” Design Observer
Group, January 9, 2012, https://placesjournal.org/article/the-forgetting-machine -notes-toward-a-history-of-detroit/.
-. “Living with Detroit.” In Detroit: 138 Square Miles, 13-15. Detroit: Museum of Contemporary Art Detroit/D.A.P. 2011.
Herscher, Andrew. The Unreal Estate Guide to Detroit. Ann Arbor: University of Michigan Press, 2012.
Hetzler, Florence. “The Aesthetics of Ruins: A New Category of Being.” Journal of Aesthetic Education 16, no. 2 (summer 1982): 105-108.
High, Steven, and David W. Lewis. Corporate Wasteland: The Landscape and Memory of Deindustrialization. Ithaca, NY: Cornell University, 2007.
Huyssen, Andreas. “Authentic Ruins: Products of Modernity.” In Ruins of Modernity, edited by Julia Hell and Andreas Schonle, 17-28. Durham, NC: Duke University Press, 2010.
Jackson, J. B. The Necessity for Ruins. Amherst: University of Massachusetts Press, 1980.
Jacobs, Steven. “Amor Vacui: Photography and the Image of the Empty City.” History of Photography 30, no. 2 (2006): 108-118.
Joselit, David. After Art. Princeton, NJ: Princeton University Press, 2013.
Klein, Naomi. The Shock Doctrine: The Rise of Disaster Capitalism. New York: Picador, 2007.
Lauro, Sarah Juliet, and Karen Embry. “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism.” Boundary 35, no. 1 (2008): 85-108.
Leary, John Patrick. “Detroitism.” Guernica, January 2011.
LeDuff, Charlie. Detroit: An American Biography. New York: Penguin Press, 2013.
Loos, Ted. “Picturing Motor City: Julia Reyes Taubman Trains Her Lens on Detroit." Vogue Magazine, November 15, 2011.
Macaulay, Rose. “A Note on New Ruins//i953." In Ruins. Documents of Contemporary Art, edited by Brian Dillon, 27-28. London: Whitechapel Gallery; Cambridge, MA: MIT Press, 20ii.
Maclear, Kyo. Beclouded Visions: Hiroshima-Nagasaki and the Art of Witness. Albany: State University of New York Press, 1999.
Marchand, Yves, and Romaine Meffre. The Ruins of Detroit. Essays by Robert Polidori and Thomas J. Sugrue. Gottingen: Steidl Publishers, 2010.
Martelle, Scott. Detroit: A Biography. Chicago: Chicago Review Press, 20i2.
Masco, Joseph. “Engineering the Future as Nuclear Ruin." In Imperial Debris: On Ruins and Ruination, edited by Ann Laura Stoler, 252-286. Durham, NC: Duke University Press,
Maynard, Micheline. The End of Detroit: How the Big Three Lost Their Grip on the American Car Market. New York: Doubleday, 2003.
McAlister, Elizabeth. “Slaves, Cannibals, and Infected Hyper-Whites: The Race and Religion of Zombies." Anthropological Quarterly 85, no. 2 (Spring 2012): 457-486.
McGowan, Shane. “The Sublime Working of History: Travel, Ruins, and the Romantic Origins of the Post-Apocalyptic Aesthetic." Paper presented at Humanities Center symposium The Apocalyptic Landscape, Wayne State University, Detroit, November i6, 20i2. Millington, Nate. “Post-Industrial Imaginaries: Nature, Representation, and Ruin in Detroit, Michigan." International Journal of Urban and Regional Research 37, no. 1 (January 2013):
Moon, Whitney. “Reclaiming the Ruins: Detroit’s Second Coming?" Places: Forum of Design for the Public Realm 21, no. 1 (Spring 2009): 36-41.
Moore, Andrew. Detroit Disassembled. Essay by Philip Levine. Bologna: Akron Art Museum and Damiani Editore, 20i0.
-. “Detroit Undone." National Geographic 281, no. 5 (November 2010): 9-9D.
Morton, Thomas. “Something, Something, Something, Detroit: Lazy Journalists Love Pictures of Abandoned Stuff," Vice Magazine, August i, 2009.
NPR Staff. “Untouched, Thousands of Rape Kits Await Justice." National Public Radio,
April 2i, 20i2.
Oramas, Sandro. “The Archaeology of Photography: An Inquiry into the Significance of Ruins in Contemporary Photography." Camerawork 24, no. 2 (Fall/Winter 1997): 16-22. Peck, Jamie. “Zombie Neoliberalism and the Ambidextrous State." Theoretical Criminology i4, no. i (20i0): i04-ii0.
Perry, Weena. “ ‘Too Young and Vibrant for Ruins’: Ground Zero Photography and the Problem of Contemporary Ruin." Afterimage 36, no. 3 (November-December 2008):
Piketty, Thomas. Capital in the Twenty-First Century. Cambridge, MA: Belknap Press, 2014. Pincus, Julie, and Nichole Christian. Canvas Detroit. Detroit: Wayne State University Press,
Pippin, Tina. “ ‘Behold, I Stand at the Door and Knock’ The Living Dead and Apocalyptic Dystopia." Bible and Critical Theory 6, no. 3 (2010): 40.1-15. Monash University EPress. Pope, Richard. “Hooked on Affect: Detroit Techno and Dystopian Digital Culture." Dance- cult: Journal of Electronic Dance Music Culture 2, no. 1 (2011): 24-44.
Presner, Todd Samuel. “Hegel’s Philosophy of World History via Sebald’s Imaginary of Ruins: A Contrapuntal Critique of the ‘New Space’ of Modernity." In Ruins of
Modernity, edited by Julia Hell and Andreas Schonle, 193-211. Durham, NC: Duke University Press, 2010.
Regier, Alexander. “Foundational Ruins: The Lisbon Earthquake and the Sublime." In Ruins of Modernity, edited by Julia Hell and Andreas Schonle, 357-394. Durham, NC: Duke University Press, 2010.
RomanyWG. Beauty in Decay. Berkeley, CA: Gingko Press and Carpet Bombing Culture, 2010.
Rosler, Martha. “Culture Class: Art, Creativity, Urbanism, Part III.” e-fluxjournal, 25 (May 2011): 1 -24.
Schinkel, Willem. “ ‘Illegal Aliens’ and the State, or: Bare Bodies vs. the Zombie." Inter- national Sociology 24, no. 6 (2009): 779-806.
Shaviro, Stephen. “Capitalist Monsters." Historical Materialism 19, no. 4 (2002): 281-290.
Simmel, Georg. “The Ruin//i9ii." In Ruins. Documents of Contemporary Art, edited by Brian Dillon, 23-24. London: Whitechapel Gallery; Cambridge, MA: MIT Press, 2011.
Smithson, Robert. “A Tour of the Monuments of Passaic, New Jersey//i967." In Ruins.
Documents of Contemporary Art, edited by Brian Dillon, 46-5i. London: Whitechapel Gallery; Cambridge, MA: MIT Press, 20ii.
Solnit, Rebecca. “Detroit Arcadia: Exploring the Post-American Landscape." Harpers ( July 2007).
Sommers, Samuel R., Evan P. Apfelbaum, Kristin N. Dukes, Negin Toosi, and Elsie J. Wang. “Race and Media Coverage of Hurricane Katrina: Analysis, Implications, and Future Research Questions," Analyses of Social Issues and Public Policy 6, no. 1 (2006): 1-17. doi:i0.iiii/j.i530-24i5.2006.00i03.x.
Sontag, Susan. “The Imagination of Disaster" ^965). http://americanfuturesiup.hles .wordpress.com/20i3/0i/sontag-the-imagination-of-disaster.pdf.
Steinmetz, George. “Colonial Melancholy and Fordist Nostalgia: The Ruinscapes of
Namibia and Detroit." In Ruins of Modernity, edited by Julia Hell and Andreas Schonle, 294-320. Durham, NC: Duke University Press, 20i0.
-. “Drive-by Shooting: Making a Documentary about Detroit." Michigan Quarterly
Review 45, no. 3 (summer 2006): 49i-5i3.
Stoler, Ann Laura. “Introduction: ‘The Rot Remains’: From Ruins to Ruination." In Imperial Debris: On Ruins and Ruination, edited by Ann Laura Stoler, i-35. Durham, NC: Duke University Press, 20i3.
Stratton, Jon. “Zombie Trouble: Zombie Texts, Bare Life and Displaced People." European Journal of Cultural Studies i4 (20ц): 265-28^
Sugrue, Thomas J. “Notown." Democracy: A Journal of Ideas 28 (Spring 20i3).
-. The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit. Rev. ed.
Princeton, NJ: Princeton University Press, 2005.
-. “The Rise and Fall of Detroit’s Middle Class." New Yorker, July 22, 20i3.
Taubman, Julia Reyes. Detroit: 138 Square Miles. Foreword by Elmore Leonard and essay by Jerry Herron. Detroit: Museum of Contemporary Art, Detroit/D.A.P., 20ii.
Trigg, Dylan. The Aesthetics of Decay: Nothingness, Nostalgia and the Absence of Reason. New York: Peter Lang, 2006.
Trigg, Dylan. “The Place of Trauma: Memory, Haunting, and the Temporality of Ruins."
Memory Studies 2, no. 1 (2009): 87-101.
Vergara, Camilo Jose. American Ruins. New York: Monacelli Press, 1999.
-. “Downtown Detroit: ‘American Metropolis’ or Vacant Land—What to Do with the
World’s Third Largest Concentration of Pre-Depression Skyscrapers?" Metropolis (April
Vidler, Anthony. “Architecture Dismembered//i992." In Ruins. Documents of Contemporary Art, edited by Brian Dillon, 55-66. London: Whitechapel Gallery; Cambridge, MA: MIT Press, 20ii.
Vlasic, Bill. Once upon a Car: The Fall and Resurrection of America' Big Three Automakers— GM, Ford, and Chrysler. New York: William Morrow, 2011.
Von Moltke, Johannes. “Ruin Cinema." In Ruins of Modernity, edited by Julia Hell and Andreas Schonle, 395-417. Durham, NC: Duke University Press, 2010.
Webb, Jen, and Sam Byrnand. “Some Kind of Virus: The Zombie as Body and as Trope." Body & Society 14, no. 2 (2008): 83-98.
White, Luke. “Damien Hirst’s Shark: Nature, Capitalism and the Sublime." In The Art of the Sublime, edited by Nigel Llewellyn and Christine Riding, January 2013, http://www.tate .org.uk/art/research-publications/the-sublime/luke-white-damien-hirsts-shark-nature -capitalism-and-the-sublime-rii36828.
White, Monica M. “D-town Farm: African American Resistance to Food Insecurity and the Transformation of Detroit." Environmental Practice 13, no. 4 (2011): 406-417.
Williams, Gilda. “It Was What It Was: Modern Ruins//20i0." In Ruins. Documents of Contemporary Art, edited by Brian Dillon, 94-99. London: Whitechapel Gallery; Cambridge, MA: MIT Press, 20ii.
Williams, Linda. Hard Core: Power, Pleasure, and the “Frenzy of the Visible. Rev. ed. Berkeley: University of California Press, i999.
Woodward, Christopher. In Ruins: A Journey through History, Art, and Literature. New York: Vintage, 2003.
Woodward, Richard B. “Disaster Photography: When Is Documentary Exploitation?" Art News, February 6, 2013.
Young, Coleman, and Lonnie Wheeler. Hard Stuff: The Autobiography of Mayor Coleman Young. New York: Viking, 1994.
Zizek, Slavoj. Living in the End Times. Rev. ed. London: Verso, 2011.
-. Violence: Six Sideways Reflections. New York: Picador, 2008.
Zucker, Paul. “Ruins: An Aesthetic Hybrid." Journal of Aesthetics and Art Criticism 20, no. 2
(i96i): ii9 -i30..